Keep REAL Music Alive: Down with Fat Cats
When I was a kid I used to be driven to near insanity when on the way to the local supermarket my dad would insist on putting a Neil Young tape in the cars high-tech (at the time) player and I’d beg for it to be turned off – much to his hilarity. Much to my fathers dismay, I wanted to listen to 80s hair rock like Billy Idol, Bon Jovi, Kiss or anything off the Hot City Nights compilation album, but I’d have rather listened to silence than Neil Young.
But it’s funny how your music tastes change. When I was really young I was addicted to these glam-rock bands. Unusual for a toddler yes, but I think I wanted to be a rock star form an early age. I used to sing along to Whitesnake’s “Here I go Again” on repeat, and thought I was cool signing along with Kiss’s classic “Crazy, Crazy Nights”. In fact, I was cool dammit!
As I hit double figures in age, and headed to secondary school I have to put my taste down to peer pressure, and the inability to find anyone remotely cool in my school which was full of pathetic malcontents and buck-toothed reprobates. I call this my dark days of music. Oasis were beginning to emerge, along with the dreadful Blur, and a host of other moronic Indie bands. But before they came along was 2Unlimited, and other such faux-techno bands that populated the early 90s rave scene. I hang my head in shame.
The mid-nineties was when Indie was really taking shape, but at the same time as that mediocre, emotionless drivel, the saviours of my musical soul arrived. 1991 brought me Nirvana, Pearl Jam, Sonic Youth, Mudhoney, and my music taste was changed forever.
I remember listening to it and feeling connected instantly, this music had anger, passion, thought, and talent – everything my idiotic peers had tried to push out of me. Deciding that I was better off with music than friends, I went deeper in to a world that seemed like a billion miles away. By the time 1994 hit, I think I’d heard about every grunge band going and it was the time of Nu-metal’s birth with the band Korn.
If I thought grunge was angry, my 13 year old mind was not ready for the sheer aggression of Korn. Ok it’s maybe tame-ish by today’s heavy music standards, but you can’t deny it didn’t stop you in your tracks the first time you heard it. There was no going back, I was addicted to metal. From Korn I got into Snot, Limp Bizkit, Coal Chamber, Slipknot, and so many more I couldn’t possibly list.
I broadened my taste from the American Nu-metal to UK hardcore sludge with bands like the immensely heavy Iron Monkey, Raging Speedhorn, Charger, then onto metalcore bands like Killswitch Engage, Lamb of God and God Forbid, and onward to Gallows, This Is Hell, Comback Kid and Champion. All of these bands in their own way left something with me, whether it would be immense enjoyment at “finding! A band before any of my mates like Still Remains (whose demo I picked up three months before they got signed to Roadrunner), or disappointment like when Limp Bizkit went painfully commercial, or when kids started wearing Slipknot hoodies having never even heard the music.
I suppose the moral of this story is that everyone is entitled to a music taste. Be it my dad with his Neil Young CDs or someone covered in glow-sticks listening to the Prodigy. The best thing about a music taste is that it’s yours and only yours. Even though I listen to hardcore/metal/punk and everything in-between, I still find time to chill out to Vivaldi, or Buddy Holly. Appreciation of musical ability, dedication and conviction should drive music on forever, not some guy with his trousers so far up his body that he can tuck his man boobs in the belt.


